–Start with “The Canto of the Colonial Soldier” (sung in English). From the opera, Shell Shock, by Nicholas Lens (libretto by Nick Cave) from 3.25 minutes to 10.00 minutes in the following link:
https://www.youtube.com/watch?v=F3bGhqROG8E&list=RDF3bGhqROG8E&start_radio=1
–Then listen to “IT” (Scene XI) from the opera, Innocence, by Kaija Saariaho (multilingual libretto by Aleksi Barrière of the original Finnish libretto by Sofi Oksanen) from 44.25 minutes to 49.33 minutes in the following link.
https://www.youtube.com/watch?v=SZz2bxnAQfs&lc=Ugzut1S6c6UsP2ED_vx4AaABAg
This particular scene is about a mass school killing, sung by the students and in different languages. You will want to read the English translation below before watching the clip.
–Saariaho stipulates that the Shooter should not appear on stage. The Colonial Soldier is, in contrast, the first shooter heard in Lens’s work. So what?
The opening words in Hamlet are “Who’s there?” Indeed: at center-stage, and how.
English translation of Scene XI, “IT” (from https://www.wisemusicclassical.com/work/58414/Innocence–Kaija-Saariaho/; apologies for the clumsy cut and paste below)
WHEN COMPLEX IS AS SIMPLE AS IT GETS 
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