Today’s policy relevance of poets A.R. Ammons, Jorie Graham, Robert Lowell and J.H. Prynne

Read the finer essays of George Steiner, John Berger, Adam Phillips—or if you will, Helen Vendler, Marguerite Yourcenar, Jane Hirshfield, Lydia Davis—and you encounter in each an analytic sensibility, sui generis. No need here for a shared point of departure to understanding complexity’s implications for public and private.

Indeed, there are times when the very different analytic sensibilities posed by the poetry of A.R. Ammons, Jorie Graham, Robert Lowell and (yes, even) J.H. Prynne achieve actual policy relevance. I say this knowing it’s outrageous to demand policy relevance from poets. But I suggest you also can read them and others that way.

Ammons and regulation

Policy types fasten to knowledge as a Good Thing in the sense that, on net, more information is better in a world where information is power. Over an array of accounts, A.R. Ammons insists that the less information I have, the better off I am—not all the time, but when so, then importantly so. (To be clear, he is not talking about “ignorance as bliss.”)

For those working in policy and management, how could it be that “the less we know, the more we gain”? In order to make our exercise here more interesting, what would that mean when it comes to the heavy machinery called official regulation? Is there something here about the value of foregrounding inexperience—having less “knowledge”—as a way of adding purchase to rethinking government regulation?

–By way of an answer, jump into the hard part—Ammons’s poem, “Offset,” in its entirety:

Losing information he
rose gaining
view
till at total
loss gain was
extreme:
extreme & invisible:
the eye
seeing nothing
lost its
separation:
self-song
(that is a mere motion)
fanned out
into failing swirls
slowed &
became continuum
.

You may want to reread the poem once more.

Part of what Ammons seems to be saying is that by losing information—the bits and pieces that make up “you”—you gain by becoming less separate, your bits and pieces slow down, fan out, spread into a vital whole. We empty our minds so as to attend to what matters—emptying the eye to have the I.

So what? How, though, is this different from ignorance is bliss or, less pejoratively, seeking to know only what you need to know?

–When pressed by an interviewer, Ammons’s response illuminates much about how knowing less is gaining more: “I’m always feeling, whatever I’m saying, that I don’t really believe it, and that maybe in the next sentence I’ll get it right, but I never do”.

Imagine policymakers and regulators, when pressed, recognizing that not getting it right today places them at the start of tomorrow’s policymaking—not its end but its revision of even the categories of “policymaking” and “regulation.” Ammons, if I understand him, is insisting that in the compulsion to “get it right the next time around” there is more importantly a next time to make it better. Again, not just to make a specific regulation better, but to revise what we mean by “regulating.”

To recast (revise, redescribe, rescript, recalibrate) the categories of knowing and not-knowing is to make room for—empty your mind for—resituating the cognitive limits of “regulation.”

Jorie Graham and the climate emergency

No one could accuse Jorie Graham of being hopeful about the climate emergency. There is not a scintilla, not a homeopathic whiff, of environmental optimism, techno-social-otherwise, in the poetry I’ve read of hers.

Which poses my challenge: Can we readers nevertheless find something to move forward with from her recent poetry? Is there some thing that I can see of possible use in my own response to the climate emergency?

In answer, consider the lines from her book, Sea Change:

                                                                         the last river we know loses its
form, widens as if a foot were lifted from the dancefloor but not put down again, ever,
so that it's not a
dance-step, no, more like an amputation where the step just disappears, midair, although
also the rest of the body is
missing, beware of your past, there is a fiery apple in the orchard, the coal in the under-
ground is bursting with
sunlight, inquire no further it says. . .

There’s that tumbling out and after-wash of words and the turns of phrase. Witness though how they bounce off and back from, in this case, the hard left-side margins and that right-side enjambment.

Some might call her rush of words a compulsion to continue but for someone with my background and training, it’s difficult not to see this as resilience-being-performed as the dark messages bounce back or forth. Following Graham, we readers make resilience happen.

Robert Lowell and alertness

“Design” too often assumes one can macro-design the micro. Anyone who has tried to implement as planned knows how plug-and-play designs don’t work in complex policy and management, as contingency in the form of situation, context and even invariably get in the way. (For my part, it’s difficult to imagine two words scarier in the English language than business schools’ “designing leadership.”)

To see how this matters for policy and management, consider a late poem of Robert Lowell, “Notice,” and a gloss on it by Helen Vendler, the late literary critic. Here’s the poem in its entirety, centering around Lowell’s leaving an asylum after a manic-depressive episode:

Notice

The resident doctor said,
“We are not deep in ideas, imagination or enthusiasm –
how can we help you?”
I asked,
“These days of only poems and depression –
what can I do with them?
Will they help me to notice
what I cannot bear to look at?”

The doctor is forgotten now
like a friend’s wife’s maiden-name.
I am free
to ride elbow to elbow on the rush-hour train
and copy on the back of a letter,
as if alone:
“When the trees close branches and redden,
their winter skeletons are hard to find—”
to know after long rest
and twenty miles of outlying city
that the much-heralded spring is here,
and say,
“Is this what you would call a blossom?”
Then home – I can walk it blindfold.
But we must notice –
we are designed for the moment.

I take up Vendler’s gloss when she turns to Lowell’s last line:

In becoming conscious of his recovery by becoming aware, literally moment by moment, of his new capacities for the most ordinary actions of life, the poet sees that ‘we are designed for the moment’—that our consciousness chiefly functions moment by moment, action by action, realization by realization. Biologically, ‘we are designed for the moment’ of noticing.

For my part, what Lowell is doing in the last two lines is also revisiting the second line, “We are not deep in ideas, imagination or enthusiasm” and making this point: The designs put upon us by ideas and enthusiasms differ from the noticing designed into us in at least one major respect: We notice the ideas-that-design because noticing is not an idea. It’s an alertness. It is a kind of watchfulness—“Is this what you would call a blossom?” It’s the analytic sensibility that saves us from those other designs.

An application of J.H. Prynne for policy relevance

I’m new to Prynne’s poetry and haven’t yet gotten a knack for how to read and interpret the more recent ones. This means I, more than not, don’t have a clue about the author’s intention (which shouldn’t matter anyway, so some say).

Which also means I get to interpret his lines far more in my own terms than others might like. Take the following stanza:

Indefatigable, certainly impracticable, chronic                                                                                                                                                                                                                                                                                                                                                                    unretractable, spree; indistinguishable
epiphenomenal dink-di flunk, rhetic; insurmountable, unaccountable, incommensurate, providentially, turn up your nose as we suppose, environmentalism, fiddle-de-dee.

Whatever this means to others, to me it’s a clear example of how many advocates for and against environmentalism overstate their case through argument by adjective and adverb.

Or consider a different stanza:

Casting out terror leaves a vacant spot, your care-free jubilation to out-jest these heart-struck injuries, mimic new disasters; they crowd like fresh battalions, eager spies trying our patience, good out-runs the best.

I interpret “casting out terror leaves a vacant spot” to mean that once we lose widespread social dread over large technical disasters like nuclear plant explosions, we vacate any notion of reliably managing such extremely hazardous systems.

There are, of course, those who celebrate such an eventuality–think of them as eager spies for the other side. But the loss of reliable infrastructures also does injury and harm to many more other people. Indeed, new disasters arise (imagine the effects of a society no longer fearful of jet planes dropping from the air like flies). The new disasters would “crowd like fresh battalions” and “try our patience” by way of increased calls for different policy and management interventions.

But note Prynne’s “good out-runs the best” as a consequence. No problem. For many trained in policy analysis, such as myself, the best is the enemy of the good. That is, better to have good enough when the best is not achievable (which would be to prevent disasters in the first place). What then is good enough in having a disaster? Ironically, disasters are a way to get rid of legacy infrastructures and components that, under other circumstances, one is precluded from doing so because of existing regulation and law. These would be suspended during the emergency.

My reading too far-stretched? In my view, Prynne’s words read as if they are the only ones left legible on the surface of a thick, many-layered palimpsest. A good deal has been effaced or scored away below and down. My point is that those very same words are also left visible on policy palimpsests with which I am familiar.

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